Peabody Computer Music Department

 

 EC 350.840 History of Electroacoustic Music

 

Bibliography: Early Electronic Music Experiments

 

Busoni, F. Sketch of a New Aesthetic of Music. New York: G. Schirmer, 1911.

Cage, John. Silence. Middletown, Connecticut: Wesleyen University Press, 1961.

Chavez, Carlos. Toward a New Music. trans. H. Weinstock. New York: W. W. Norton

and Company, 1937.

Helmholtz, Hermann. On the Sensations of Tone. trans. A. J. Ellis. New York: Dover,

1954.

Katz, Mark. Capturing Sound: How Technology has Changed Music. Los Angeles: University of California Press,

2004.

Mattis, Olivia and Robert Moog. "Pulling Music out of Thin Air." Keyboard, February

1992, pp. 46-54

Oullette, Fernand. Edgard Varˇse. trans. D. Coltman. New York: Orion Press, 1968.

Payton, Rodney J. "The Music of Futurism: Concerts and Polemics." Musical Quarterly

vol. LXII, No. 1 (January 1976).

Pierce, Edwin Hall. " A Colossal Experiment in 'Just Intonation'." Musical Quarterly, X

No. 3 (July, 1924), pp 331-32.

Rhea, Thomas L. The Evolution of Electronic Musical Instruments in the United States

diss; George Peabody College for Teachers, 1972

Russcol, Herbert. The liberation of Sound :an Introduction to Electronic Music.

Englewood Cliffs, New Jersey: Prentice-Hall,  1972

Russolo, Luigi. The Art of Noises. trans. Barclay Brown, 1988. Stuyvesant, New York:

Pendragon Press, 1986.

Varˇse,  Edgard. "The Liberation of Sound." Perspectives of New Music  vol. 5 no. 1

(1966), pp 11 - 19.

Weidenaar, Reynold. Magic Music from the Telharmonium. Metuchen, N.J.: 1995