Bibliography: Computer Music in the 1970's and 1980's:

Stanford, UCSD, IRCAM and MIT

Stanford University: CCRMA

Chowning, John. "The Synthesis of Complex Audio Spectra by Means of Frequency

Modulation." Journal of the Audio Engineering Society 21 No. 7 (1972) pg. 526.

Jungleibe, Stanley. "Inside CCRMA: Stanford's Computer Music Lab." Keyboard 13 No.

12 (December 1987) pp 58-65.

Loy, Gareth. "Notes on the Implementation of MUSBOX: a Compiler for the System

Concept Digital Synthesizer." Computer Music Journal, 5 No. 1 (Spring 1981) pp

34-50.

McNabb, Michael. "Dreamsong: The Composition." Computer Music Journal, 5 No. 4

(Winter 1981) pp 36-53.

Moorer, James A. "Signal Processing Aspects of Computer Music." Computer Music

Journal 1 No. 1(1977).

Roads, Curtis. "A Conversation with James A. Moorer." Computer Music Journal, 6 No.

4 (1982) pp 10-21.

Scottstaedt, Bill. "Pla: A Composer's Idea of a Language." Computer Music Journal, 7

No. 1 (Spring 1983), pp11-20.

Smith, Leland. "Computer Sound Research at Stanford University." Journal of the Audio

Engineering Society 19 (1971).

----------. "SCORE: a Musician's Approach to Computer Music." Journal of the Audio

Engineering Society 20 No. 7 (1972).

MIT Studio for Experimental Music /Media Lab

Dashow, James. Using Music 360. University of Padua, n.d.

---------- and John Snell. "A History of the Computer Music Journal." Computer Music

Journal, 10, No. 1 (Spring 1986) pp 13-16

Vercoe, Barry. csound: A Manual for the Audio Processing System and Supporting

Programs. MIT: 1986

----------. Music 11 Manual. MIT, 1982.

----------. "Music Computation Conference." Perspectives of New Music , (Fall 1974)

pp. 234-38.

----------. and Miller Puckette. "Synthetic Rehearsal: Training the Synthetic Performer."

Proceedings of the International Computer Music Conference 1985, pp 275-278.

I.R.C.A.M.

Barriere, Jean_Baptiste. "Chreode I: A Piece Using CHANT and FORMES." in

Proceedings of the 1983 International Computer Music Conference, Rochester,

New York.

Harvey, Jonathan. "I.R.C.A.M." in Pierre Boulez: A Symposium. ed W. Glock. New

York: Da Capo Press, 1986 pp 239-250.

McAdams, Stephen, and Albert Bregman. "Hearing Musical Streams." Computer Music

Journal 3, No. 4 (December 1979) pp 26-43.

Moorer, James A. "Synthesizers I Have Known and Loved." Computer Music Journal 5

No. 1 (Spring 1981) pp 4-12.

----------, Alain Chauveau, Curtis Abbott, Peter Eastty and James Lawson. "The 4C

Machine." Computer Music Journal 3 No. 3 (September 1979) pp. 16-24.

Rodet, Xavier. "Time-Domain Formant-Wave-Function Synthesis." Computer Music

Journal 8 No. 3 (Fall 1984) pp 9-14.

----------, Yves Potard and Jean-Baptiste Barriere. "The CHANT Project: From Synthesis

of the Singing Voice to Synthesis in General." Computer Music Journal 8 No. 3

(Fall 1984) pp 15-31.

----------, and Pierre Cointe. "FORMES: Composition and Scheduling of Processes."

Computer Music Journal 8 No. 3 (Fall 1984) pp 32-50.

Bibliography: UCSD CARL

Boulanger, Richard. "Interview with Roger Reynolds, Joji Yuasa and Charles Wuorinen."

Computer Music Journal 8 No. 4 (Winter 1984) pp 13-19.

Moore, F. Richard. "An Introduction to the Mathematics of Digital Signal Processing." in

Digital Audio Signal Processing: An Anthology vol. 1, ed. John Strawn. Los

Altos: William Kaufman, 1978.

----------. Elements of Computer Music. New Jersey: Prentice-Hall, 1990.

----------. "The CARL Computer Music Workstation: An Overview." Proceedings of the

International Computer Music Conference 1985, pp 5-8.

----------. "The Computer Audio Research Laboratory at UCSD." Computer Music

Journal, 6 No. 1 (Spring 1982) pp 18-29.

Reynolds, Roger. Mind Models. New York: Praeger, 1975.

----------. A Searcher's Path: A Composer's Ways. I.S.A.M Monographs: Number 25.

New York: City University of New York, 1987.