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| Rainbow Body |
 1'43 sec / 1.6 mb / 128 kbps .mp3 file |
| Performed by the Peabody Symphony Orchestra, Robert Sirota, conducting. |
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| O Vis Aeternitatis |
3'35 sec / 3.2 mb / 128 kbps .mp3 file |
| Performed by the Peabody Piano Quintet. |
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| Ariel Ascending |
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Movement I |
0'39 sec / 612 kb / 128 kbps .mp3 file |
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Movement II |
0'47 sec / 736 kb / 128 kbps .mp3 file |
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Movement III |
3'35 sec / 3.2 mb / 128 kbps .mp3 file |
| Performed by the Henschel String Quartet. |
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| The Invention of Music |
1'42 sec / 1.5 mb / 128 kbps .mp3 file |
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| Raga |
1'28 sec / 1.3 mb / 128 kbps .mp3 file |
| Performed by Eastman Musica Nova, Shafer Mahoney, conducting. |
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| On the Edge of the Infinite |
1'04 sec / 996 kb / 128 kbps .mp3 file |
(1997) for violin and orchestra.
Movses Pogovsian, violin; Bowling Green Philharmonic
Emily Freeman-Brown conducting. |
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| Flow, my tears |
1'05 sec / 1.0 mb / 128 kbps .mp3 file |
| Jennie Press, violin. |
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| Visions and Miracles |
Sony Classical .mp3 file |
| Movement 1 - All Joy Wills Eternity |
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| Concerto for Alto Saxophone and Orchestra |
www.artofthestates.org .mp3 file |
| "Concerto for Alto Saxophone and Orchestra was written for Kenneth Radnofsky and World-Wide Concurrent Premieres, Inc. It is [divided] into three ever-intensifying movements. The first is based on a chromatic figuration of running sixteenth-notes which is continuously passed between the soloist and orchestra. The second is based on a major third quarter-note pulse which is constantly confronted by competing tempos and sonorities. The saxophone part provides a lyrical counterpart to this rigor. The third movement starts with a heartbeat figuration which gives way to a shrill melody. These two materials become warring factions as the piece comes to a climax and ends at its most shrill moment." |
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